Rhiannon Tully is an Australian photo media artist. Rhiannon is currently working on a number of new series including Solace and the conceptual work Yves Klein's Blues. She is also continuing to collaborate with photographer Takashi Fukui on Photographic Exchange Project a pictorial cultural exchange between Australia and Japan. Since starting her professional practice Rhiannon has been a finalist in a number of prestigious awards and her work is held in private and public collections. For sales enquiries or to make contact please fill out the form below.

Works:
Solace 2016

The Kids 2014-2015
Yves Klien's Blues 2014-2016

Australiana Land 2013-2014
Street portraits Asia 2013
Echo Chambers 2012
Photographic Exchange Project 2012-Ongoing

Exhibitions:
2015
Seoul International Photography Festival Seoul

The Last Picture Show New York Photo Festival New York
Fremantle International Portrait Prize Moores Building Fremantle
Olive Cotton Award 2015 at Tweed Regional Gallery Murwillumbah

Head On Portrait Prize 2015 at Museum of Sydney Sydney
Photographic Exchange Project at Wallflower Photomedia Gallery Mildura

Der Greif Guestroom at Galerie f5,6 Munich
The Kids at Perth Centre for Photography Perth

2014
Collective Exhibition at Perth Centre for Photography Perth
Iris Award 2014 at Perth Centre for Photography Perth
Australiana Land as part of Head On 2014 Queen St Gallery Sydney
Australiana Land at Queensland Centre for Photography Brisbane
2013
Moran Prize 2013 Juniper Hall Sydney
Echo Chambers at Edmund Pearce Gallery Melbourne
2012
Empire State at PSAS Fremantle

Prizes
Finalist Fine Art series The Last Picture Show New York Photo Festival 2015
Finalist Fremantle International Portrait Prize 2015
Directors Choice Acquisitive Award Olive Cotton Award 2015
Finalist Olive Cotton Award 2015

Semi Finalist Head On Portrait Prize 2015
Finalist Iris Award 2014
Finalist Moran Prize 2013

Publications:
Der Greif "Guest room: Katrin Weber 2015
“Racks and ruin: framing decay” The Age, 31/07/2013
“New vision for the city” The West Australian, 14/09/2012

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